Post 281.

For all its imperfections, the Guardian has been good to me. In 2012, Editor Judy Raymond offered to publish my diary about working motherhood. Since then, I’ve encountered many, mostly mothers, who were emboldened by someone writing about the quiet, isolated experiences and emotions that they have, but feared weren’t important or collective enough for public print.

Grandmothers have seemed to be my most regular readers. This often left me negotiating badass with good beti even while the radical example and words of older, wiser feminist foot soldiers, including those in hijab and those leading domestic worker unions, emboldened me.

I began in Features, yet my sense of citizenship often led my diary to political analysis and advocacy. Slowly, as Ziya grew, I had space to think about more than sleeplessness, breastfeeding, baby steps and birthdays. Like most women, including ones whose educational and occupational empowerment seems to set them to achieve everything women could want, I worried about being a good mother, making ends meet and managing my career. This continues, even with just one child, having had to live with the loss of not having more.

Yet, I rebelled, writing in 2014, “Some days you spend whole conversations on love and sex. Other days you connect ethically and emotionally with other women over delays in passing procurement legislation, the state failure and corruption that has allowed illegal quarrying, and the social and economic costs of badly planned urban development. When women resist because representation remains our right and responsibility, some days our diaries will say nothing about husbands or babies”.

Still, the column wasn’t not focused enough on governance, in the style of my long-time UWI mentor Prof Selwyn Ryan. Indeed, I was composing fictional creation-stories, delving into the deeply emotional art of Jabs such as Ronald and Sherry Alfred, and Fancy Indians like Rose and Lionel Jagessar, and still mulling over marriage, fatherhood, primary schooling, connection to nature, and love.

I thought hard about genre and experimented with writing. The form of a diary is so often associated with women’s private thoughts and feelings, held close and secret with a small symbolic lock. Bringing this genre into the public domain was a deliberate act against male-defined Op-Ed expectations which position the oil sector, the constitution and politics as the serious topics of the nation.

For most people, managing family life, feeling safe in their homes, and negotiating aspirations and disappointments matter most and are the most pressing issues in their lives. The diary moved from Features, taking these concerns with it, and challenging divisions between public and private, and their unequal value.

The form also built on historical examples of colonial logs, and journals such as Alexis de Tocqueville’s Democracy in America, which I read as a graduate student, but with substance grounded in emancipatory, Caribbean feminist observations and Political Leader-less, worker and citizen people-power.

Readers wrote to me, wondering if I was a PMN, a UNC, a COP, a knife and fork Indian, too Indian, and too feminist. Amidst calling for an end to child marriage, programmes to end violence against women, and policies to protect women workers from sexual harassment, I wrote twenty columns in which lesbians were named as part of the nation and region, precisely because no one else would, because every woman matters, not just the ones that meet patriarchal expectations, and because these women, who were not allowed to exist in law, would here defiantly exist in public record as having the right to be.

I learned that to write a diary, which wrestles with life, love, rights and justice, is to risk repetitive, aggressive attack. I owe Editor Shelly Dass public thanks for skillfully stopping Kevin Baldeosingh from using the Guardian to legitimize his bizarre and obsessive stalking of me in the press, always to harm.

I’ve grown, as has Ziya, in these pages. I’ve learned to look around the landscape, appreciating all its heartfelt and difficult growing pains, like my own, in ways I wouldn’t have otherwise.

Diary of a Mothering Worker departs from the Guardian, but will continue to walk good, gratefully carrying the lessons from Guardian and its readers’ years of nurturing wrapped in its jahajin bundle.

 

Advertisements